Showing posts with label John Coltrane. Show all posts
Showing posts with label John Coltrane. Show all posts

Saturday, November 16, 2019

Divorced Dad Walks through the woods and thinks


11/16/19 15:55 East Northport, NY

My fingers are numb since I took a walk through the VA woods.  The air is brisk, sun is setting, and the blue jays are scattered about.  Listened to Aretha Franklin and John Coltrane on Spotify.  Saw a hawk in the distance, and took it as a sign that I am on the right path today.  Earlier, Meli and I had an open conversation about the kids and how they may react to the news of our wedding.  I have a fear of confrontation, rejection, abandonment and avoid all of those emotions for the most part.  Not all of the time. How can I grow if I avoid them?  Face the fear.  I don’t want to hurt the kids.  I am not doing anything malicious.  It is not my intention to harm them, and yet the scenario I have been hearing is that I will destroy them, ruin their lives, face the potential that they will not talk to me.  But that is their choice.  Amanda is planning to take a solo trip to France.  I am flying back to Mexico on Thursday.  Those are our plans for the near future.  Soon it will be Thanksgiving.  Here is what Meli suggested; plan on what you are going to say to the kids.  Plan?  Me?  I don’t plan on business meetings. I am lucky if I have an agenda and I don’t mean to compare talking to my kids to a business meeting.  Her point is valid. Take control.  Yes, they will be upset.  I don’t know if this part of our culture, this constant nurturing and taking the easy way, and in some aspects (honestly) the cowardly way.  Anything is better than being honest with myself, with the kids.  I love them, and don’t want to cause any more discomfort.  It has been almost two and a half years since Ali kicked me out.  So, the argument that it is too soon does not hold any water.  The argument that I will ruin them, is not accurate or fair.  I never abandoned my children.  Am I close to all of them?  No.  My sponsor has said, Mike is going to do what Mike wants to do.  I am considerate and yet I have to honor my love and commitment for Meli.  A change in our lives can be upsetting, but we don’t need to avoid it.  I have to be honest. There will be some pain.  Meli and I want to share our lives with my kids.  The idea I will not see them, is not correct.  We will always welcome them to our home.  It is their home as well.  And by the grace of God we can all enjoy time together.

Listening to Wholly Holy by Aretha Franklin

Thank you for reading this.


Tuesday, November 12, 2019

Roy Haynes at the Blue Note







11/12/19 20:46 Bethlehem, PA

Thank you for reading this.  I arrived back at the house by 0200, dumped my bags around the room, brushed my teeth and went to bed.  I had to be up in four hours and it was a restless night of a monkey mind, the room was too warm and I was anxious about the day.  But here we are my friends. Listening to Coltrane and Monk and Roy Hayes at the Five Spot back in 1958.  It is significant since I bought a used CD at the record store in Commack before driving into the city and I thought wouldn’t it be great to get this signed by the one and only Roy Haynes.  It was a good idea so stick with me for a little while.  Parked the car at the Icon Parking garage near Cooper Union and walked across town with my CD in my pocket.  It was a mild autumn night.  I called Meli and said I wanted to take her to this neighborhood since it was old New York, narrow streets and people waiting for others to get through.  It was very civil last night.  I headed over to the Blue Note and waited with others to get inside.  It wasn’t a long wait.  I asked the guy checking us in if Roy was around and he said he’s up in the dressing room.  Instead of waiting after the show, I head up with my CD and noticed a guy about to go into the dressing room.  Excuse me I said, would you mind getting this signed for me?  He was about to take the CD and thought better of it, and invited me to follow up into the dressing room.  Cool.  But we soon learned Roy was in the bathroom.  So I waited and the guy used the bathroom as well and I waited in the hall like a moth dangling in the light.  I waited for him to finish and I told myself, be patient.  Just be patient.  I noticed his shoes in the stall every time the door opened and I waited.  Maybe he was snorting coke.  I couldn’t waited and knocked.  The door opened.  I was welcomed.  There was Roy in his seat and tapping his feet.  I asked if he would sign my CD.  But he looked at it and said he wasn’t on it.  He opened up the cover and said, there was too much writing here.  Man…he liked to use the word, Man. I don’t know, he said.  I thought he was not going to sign it and in that time we got to know one another.  Have any kids?  Yes, I have four.  You look too young to have any kids.  Thank you, can you sign it?  The others guys in the band told him he was on the album and it was one of their favorites.  Is there a picture of me?  No, I said disappointed.  And I thought quickly, maybe you can sign the back of the CD, the silver part?  And he did.  Would you mind if we take a picture?  No, he said.  He didn’t want to take a picture.  He was being difficult, but in a gentle way.  Roy took the stage.  He danced a little in front of the audience and took his seat behind the drums.  The man who played with Bird, Louis Armstrong, Eric Dolphy, Chick Corea, was in his element and I was amazed how much energy he had.  So, what the show started at 10:30 and was wrapping up just before midnight.  The band played to a sparse room.  I drank three beers and as he was walking back to his dressing room, I got in a quick picture with him.    

Thank you for reading this.

Monday, November 11, 2019

Tonight, Roy Haynes at the Blue Note


11/11/19 15:42 East Northport, NY

What a beautiful day, and yet I was working inside, working remote. I’ll finish packing and load the car and head out of here soon.  I am seeing Roy Haynes at the Blue Note in NYC.  I have not seen a show there in a few years.  Maybe the last time was Ravi Coltrane?  It was the first time I saw him perform. Tonight is Haynes and it’s something special, seeing the famous drumming legend.  Haynes, who is 94 years old played with most of the greats from Charlie Parker, John Coltrane, T Monk, and many others.  I’ve wanted to see Roy for the last few years, and yet the timing was not right, but tonight I am heading in and will share more details about the gig for your eyes tomorrow. 

Thank you for reading this.

Friday, November 9, 2018

When spirits flood the night, Day of the Dead in Mexico


              John Coltrane, Love Supreme is playing on the CD player he bought at the Thrift Store in East Northport, it was a gift he wanted to give himself for months.  The five-dollar investment is a good one since listening to the whole album while writing was something he would do at his parent’s house – last year.  The music and the writing was his escape, his refuge.  Tonight is not that much different than the other nights last year when he wrote.
              His youngest is not talking to him, needs some space so he gives his baby as much space as she needs.  The other children are talking to him and his ex his reassuring them, he is not abandoning them. Not in the slightest, but it is difficult for the youngest, although she is fifteen - this is all new and everything new will be new and she, like the rest of the family will need to process the divorce.  Not that it will get easier, it will become acceptable like a limp. 
              The CD skipped for a second and maybe the five bucks was not a great bargain after all, but the radio works and there is a tape player. 
              The younger ones are in a play tonight and he is in his room, keeping the requested distance and he is alright at this time. 
              The CD skipped again, and now John Coltrane is chanting, Love Supreme.
              He closes his eyes and listens to the drums, rim shots, the piano, McCoy Tyner and the bass and the full sound fills in the empty spaces.
              Martin listens to the wind outside.  Meli is at the movies with a friend, she looked beautiful when she Face timed him, he told her so.
              Last Friday, they were together in Taxco, Mexico celebrating Day of the Dead.  Colorful banners swayed in the night breezes and it began to rain lightly which was a rarity, one of the taxi drivers explained to Meli.  Martin thought it had to do with him, being one of the few gringos in the town.  He noticed a few others and wanted to see if they were like him, a lean middle aged man walking and kissing a woman who was decades younger than he was, but he did not linger too long on the thought since age was something he accepted instead of letting it crack the joy in their relationship.  It was a thought and he let it pass.
               She is the happiest person in the world and he has not laughed as much with anyone.
              Meli wanted to get her face painted and she urged him to do it, this could be the only time he celebrated Day of the Dead, and he should get it done.  He reluctantly agreed and in a few minutes found himself sitting on a bench as a high school girl applied white cream and powder and then black onto his face.  Meli reached out and they held hands as the girls talked to one another about an ex-boyfriend, the one putting makeup on him said he was with someone new, but at least she wore his school jacket before his new girlfriend.  Meli explained what they were talking about. 
              “Instead of thinking about him, you should be focused on your math.”
              “Yeah right.”
              He was done in five minutes, eyed the armed police in the square with some concerns especially since they carried loaded machine guns and there were a lot of them off to one corner of the square.  Some women were talking to them as slowly they sipped their Coke bottles.  
              It began to rain harder and yet they walked around the village, holding hands and taking selfies.  They spoke to her mother and father, and it looked like they’d just woke up her old man, who barely said a word to Martin.
              “Honey, we should go to the cemetery, it’s part of the tradition.  There’s a fair there and music and you can how the families celebrate their loved ones.” 
              Visiting a cemetery did not appeal to Martin in the slightest, he recalled the small cemeteries outside the villages in Guatemala, they were barren, the crypts or the brick forms which contained the bones let in the light of the day and he did not want to go there at night, visions of rats crawling out of the dark spaces were creeping him out.
              “I don’t know.”
              “Honey, this could be your only time to celebrate, Day of the Dead,” she said and smiled at him with her made-up face and he smiled back.
              “Well, ok, whatever you say.”
              “It will be fun, you will see.”
              Taxco is the city where VW Beetles are everywhere, the taxi drivers pulled out the front passenger seat, the passenger door has a cord attached to it, so the driver can pull the door shut after the passenger leaves.  There is normally a crucifix dangling from the rear view mirror, the back seat could be in good shape or not.  The ceiling sometimes droops down at times on his head.  The experienced drivers take off, beeping before every blind spot, racing down hills, through narrow roads where passengers better walk in single file or they will get hit…dogs dart out and back and if the traffic is slow will be nudged out of the way by a careless bumper.
              They made it to the cemetery and paid the driver and stepped out.  Martin saw a drunk woman laughing loudly.  It was a fair.  He felt out of the place, not only being a gringo in the town, but the tallest in the crowd and ready to call it a night. 
              “Honey, over here.”
              The place was a muddy mess. It was a wet fair where beer was abundant.  There were rides, music and games and they walked up a step, past some vendors who were selling food just before the gates to the cemetery.  Colored lights bounced off the bano and they we walked into the silent darkness.
              His breathing was calm.  They walked up a narrow lane past the lit chambers, the glass enclosures, the pictures, when they were living and able to smile for the camera, and now alas their families waited in this world with patience.
              Filling the night with folk songs they walked and greeted the others and scared the children who thought they were the dead. 
              Kissing in the light rain…the night welcomed them…




Sunday, July 12, 2015

Ravi Coltrane plays in Huntington, a review

7/12/15

We arrived from California just after midnight.  On Saturday, while we were packing up I read Ravi Coltrane was giving a free concert on Sunday (7/5) in Huntington.  He was also going to be interviewed by a DJ from Hofstra.  This event was to kick off a proposed annual event, John Coltrane Day in Huntington.  It was also a fund raiser for the Coltrane Home foundation which is trying to raise funds to refurbish the house where John Coltrane lived and composed for the last years of his young life.  He was only 40 when he passed in 1967.  This is the house where he wrote the classic and influential A Love Supreme.  There are details on the house on the web site:

From what I understand Ravi has played in Huntington previously, but I am waiting for more details.  I’ve seen Ravi Coltrane previously, performing at the Blue Note, Iridium, Lincoln Center as well at his mother’s memorial at St. John the Divine.   This was one of those shows I would be kicking myself if I didn’t attend.   Even Ali said I should go.  Off I went with my head still in the clouds and a little jet lagged.  I found a spot on the hill, sloping towards the stage and in the back.  I could have sat closer.  There are rules to these concerts I learned.  No beach chairs in front of the stage, only blankets.  Since I had neither, I could have propped down stage center. 

Before long more people were staking out their places, some had candles in glass cups. One couple had a small hibachi with a small flame.  There was a crowd.  As dusk fell on us I saw a drone which at first I thought was a bird fly over the park and then fly back to where it originated.   The device was pretty cool and I have to admit I’d like to get one.  Why?  It’s a cool toy.  Fire flies dotted the dark.  Children were playing in the park. Sparse couples sauntered around the pond as Ravi Coltrane’s quartet played.  It was a cool summer night to spend under the Huntington sky....listening to jazz.

The interview was sort of bland, the DJ said he was nervous, but Ravi made a memorable remark about his birth at Huntington Hospital. “The doctors botched up my circumcision. I really need to speak to them.”  He discussed growing up in California, “My mother was an Ashram and my father was a jazz legend.”  As well as the influence John Coltrane has on jazz. 

The Ravi Coltrane Quartet:  featured Glenn Zaleski, piano, Joshua Crumbly, bass and Kush Abeday, drums. This quartet is different and new and as Ravi explained, “young.”   Still, this brief show displayed their immense talents. Yet, I am curious why Ravi would not play one of his originals?  He is a Grammy nominated artist...

The following is a play list:

My Lady, by John Coltrane
Who wants Ice Cream, by Ralph Alessi
I’m old fashioned, by Jerome Kern
Nothing Like You, by Bob Dorough
Lush Life, by Billy Strayhorn

A Love Supreme, part two resolution by John Coltrane

Thank you for reading this.

Saturday, June 14, 2014

A review of Henry Rollins' Before the Chop

6/14/14 08:38

“I write this to you because at this moment, this is the entire world and everything I know.”  Henry Rollins 2/2/12 Antwerp Belgium

This morning I finished Henry Rollins’ Before the Chop, LA Weekly Articles 2011-2012.  It is published on his press 2.13.61.  Last year, I bought a signed copy from his web site, http://henryrollins.com.   Signed copies are still available, unlike his new book which sold out quickly of the limited edition (1,500) signed and numbered.  A Grim Detail.   
Before the Chop consists of the original versions of articles which were published in LA Weekly.  The weekly is the ubiquitous undergound LA publication and the editors made edits (chops) and shortened the originals; which makes this book a mandatory for his die-hard readers.  The work captures Rollins at his rawest and shares the insights of his recent world travels, in cities and an venues as well as his ever changing moods. Don't take that the wrong way.  Let me clarify this by saying Mr. Rollins is an excellent reporter with a keen eye and a respect for his readers as well as his fans.  As with his previous books and spoken word performances, Rollins is intelligent, articulate and blunt.  As I read the book I felt like I was listening to him on a private tour.  In fact he was the tour guide.  I just wished the articles would continue, but like his real tour with 188 shows in 19 countries – this book concluded.  In fact the ending was an unpublished interview with Nick Cave.   
What can you expect when you read this book?  He shares his passion for music.  So let me say this here and now, if you are not a fan of rock, punk, jazz or any music in general - this book is not be for you.  And the theme of music is constant throughout which I had to remind myself was the sole reason for the articles.  Rollins shares his favorite bands, records, interviews, memories of being on tour with either Black Flag or the Rollins band as he prepared himself for a show in the city he was in.  There were some repetitious themes which can occur when you’re writing a weekly article on the music you love.  It is very clear, Mr. Rollins has an insatiable desire to see or hear, touch, taste, smell, Iggy Pop and The Stooges in mono or stereo, outtakes, wherever and whenever.  This is one reoccurring theme, and another is how essential music is for his escape from the world. “If I can’t have a stage to report to every night, I will drown my sorrows in a sea of tunes!”   Some choose alcohol or drugs or other means, Henry seeks solitude and a self-imposed perfection from his music.  He likes music a hell of a lot.  Being a Rollins reader and alright a fanatic, I feel he is fighting off the depression he wrote about in his earlier works, but that’s only my assumption.  “Several minutes later, I eat and evaluate the incredible emptiness I am feeling. The people at my shows are going to be done with me before I am done with them.  It’s going to be extremely hard to deal with the fact that it’s going to be over well before I am done.”  
So, perhaps the editing could have been tighter?  Stooges…Fun…House…Iggy…best…performer…stares at the audience.  Got it.  We will salute you Mr. Pop.  We will see Mr. Pop.  But I have listened to The Stooges based on Henry’s proclamations, and I agree: The Stooges capture/d the punk spirit.  In fact most of the bands he refers to are not to be ignored. Coltrane is another constant point, but I have to agree with this statement Rollins makes, “Just my opinion, but artistic expression is humanity at its best.  Science, technology, modern medicine are all of course fantastic- but when I put on a Coltrane album and can actually hear him push the air from his lungs into his horn to create that sound, the total and perfect humanity of that…I am unable to find the right words to express how much it moves me and what a miracle I find it to be.”  
Surprisingly, this reader was exposed more to the real Rollins, the confessional wordsmith which for legions of us, continues to gain our respect and admiration over the years.  Yet, as he moves forward seeking new bands and latching on to his favorites, he saw Dinosaur Jr. a number times in a year.  There is the lurking DC past which creeps up quite often.  Before I forget, the reason for all of the Dinosaur shows, Rollins interviewed the band on stage on a few dates.  For the record I saw the show at the Electric Factory in Philadelphia with OFF! as an opening band.  So, Henry continues to tread in the past, going back to DC where he used to live and had the last “job” he held before joining Black Flag.  In this book, he shares the opportunity he had when he came across the new owner of the house he and his mother lived in when he was a teenager.  With sensory precision, holding the banister, he brings us back to the basement with the familiar scent and the marks in the wall that he an Ian Mackaye made when shooting a pellet gun more than 30 years before.   
But hold on a second, back in 84, I doubt Henry Rollins would print in Spin magazine his guilty pleasures. “With the advent of CD’s, that best of Kansas was one of the first purchases I made, along with some of Madonna’s albums.”  Also sharing his purchases of Duran Duran, Culture Club, Men at Work.  And he tells us IF WE have a problem with it…“Bite Me!”  I don’t have a problem with it.  I understand you love music and pretty much any music.  Well, in that case I lay claim to listening to and cherishing my Haircut 100 album.  Let’s move on.  Mr. Rollins craves music and collects albums as he treks across the world, he preaches the best sound is off the vinyl.  He collects a new album a day?  Did I read that right?
                “From an early age up to now, I am still awed by the completeness of sitting alone in a room, listening to music, somewhat isolated from the hot and bothered world.  It is a small, controllable and to a great extent, perfect place.”  Henry Rollins 8/23/13 Los Angeles, CA

                The articles continue on LA Weekly and Henry can be heard on the radio spinning his tunes for his fanatics as he refers to the audience.  You can listen in on KCRW on Sunday nights and take a lesson on all of the slam bam musical history and the joy he has in spinning the turntable and his deep knowledge.  

I also saw some dates in the future; let’s see if that means Henry will be back on tour?

Thank you for reading this.


Saturday, April 12, 2014

Is Roger McGuinn an exceptional musician, an American treasure...or a paranoid celebrity?

4/12/14 20:33 Home

On Thursday night I drove to Bay Shore from Port Jefferson.  I’m at the end of my rope with my GPS which I bought a few years ago.  It has the annoying tendency to bring me though all sorts of side roads and through every street light which just happens to have ability to sprint to red when I approach.  On a rare occasion I don’t mind the scenic view.  I get to see small hamlets in Pennsylvania where I travel for work, and if I have the time - I truly appreciate the faded architecture, quaint towns with empty benches on deserted sidewalks, stoic tree lined Main Street... but the GPS gives and takes.  It does not filter.  I have been in places where share panic creeps up and I pray to God to let the lights turn to green and please keep the car running.  Don't stop!  The GPS was up to some old tricks on my journey to the Bolton Center.  The good news I made it on time for the Roger McGuinn show.  I can’t complain, and on the way back home I let my sense of direction lead the way and made it home in good time.  Before I write about after the show, I have to share some thoughts.  For instance you’re waiting for the story why I feel Roger McGuinn may suffer from a severe dose of paranoia or perhaps it’s something else he’s battling with?  First, the Bolton Center is a very intimate venue, less than 265 seats, the back rows rise up so you’d need to walk up a flight of stairs to get to your seat unless you’re in the VIP section.  For a little place - you can’t go wrong taking a hike.  I took my seat, middle of the theater and scanned over the rest of the sold out crowd, I was one of the youngest. The seats were compact and had an elbow in my sides for the first half of the show.  Even a dirty look couldn't stop the physical contact.  Anyway, I should be one the youngest. This was a Roger McGuinn show for God’s sake, the man was one of the Byrds, the singer, the leader for all of those classic albums.  1965...the year I was born. He is not from my generation.  He came out playing, “So you want to be a rock n roll star,” on his Rickenbacker.  His voice was crisp and his playing blew me away.  The set which was roughly two hours with a fifteen minute intermission.  The show was presented without flaws and was full of insightful stories of how the Byrds started, from their name (Thanksgiving) to the legends they worked with and the side-notes behind their songs, the Dylan classic, “Mr. Tambourine Man”, which was the first “rock” single Columbia released.  The now classic record company was very conservative.  The story behind his single for the Easy Rider soundtrack is classic, Dylan wrote some lyrics on a napkin and Peter Fonda who starred and directed the movie brought it to Roger.  When Fonda came to his house with the napkin, he told Roger, Dylan said, “Let McGuinn work on it, he came make something out of it.”   The story how they came to write 8 Miles High was funny, and as he played the opening, he said he filled it in with some John Coltrane and Andres Sagovia…  Chestnut Mare, and songs off Sweetheart of the Rodeo, Turn, Turn, Turn. There unique Irish folk songs, old time ancient maritime songs from whaling ships as well as more stories.  He played the 12 String guitar as well as acoustic and banjo.  As the show progressed and as I felt in awe for the supreme musician.  I know it sounds like bull shit, but honestly - I felt it was an honor - to be in his audience.  McGuinn is an American treasure.  I was amazed at his mastery of the guitar.  And I mean it.  I’d like to see him again.  Alright, so you may know I like autographs.  I heard McGuinn does not come out after the show to sign at his merchandise table.  There were some signed CD’s and posters for sale. Not too expensive, but I brought an album with me which I left in the car. After the concert I head out to my car which I parked behind the theater.  I sat down, turned the key and looked at my album.  I felt that tug; he’s still here and you can wait outside and…maybe get him to sign it?  I walk over the stage door in back and figure; I’ll knock and see if I can get this done.  There were two guys standing off to the side.  I bang.  “What are you doing?”  I was going to see if I can get this signed.  “No, you can’t do that; you’re going to piss him off!”  Will he come out there?  “We’ll see…just wait.”  While waiting with the two other men who were younger than me, I heard their stories they exchanged with one another, meeting Sting and Bono, seeing President Carter last week.  One of them tells us - he has more than a thousand autographs and pictures.  Let’s call him Celebrity.  I feel this is a good sign, since Celebrity knows what he’s doing and I’m going home with signed album.  He shows us pictures of him and Sandra Bullock, Robert Deniro, Brad Pitt. I kid you not.  How do you?  He was coy,“Friends tell me where to go.”  It was getting later and getting a little cooler standing outside in the night air; a truck is backed up to the stage door.  One of the employees for the theater opens the stage door and tells us, “He’s not signing.”  Celebrity tells him, “I just want a picture, I can ask - right?”  The employee shrugs his shoulders giving us the impression, we don't get it...Roger McGuinn is a different guy, he’s not doing anything.  Keep in mind, there were…one…two…three of us.  That is all.  Not a big crowd to swarm over the rock n roll star.  What’s up?  But remember I read McGuinn does not sign.  His wife, Camille is his manager and as I learned – she is his main security guard.  I encountered her direct and blunt orders.  She does not let anyone close to him. Before the brief sighting outside with the legend, his instruments were packed into the truck.  Celebrity tells me, “Don’t try to shake his hand.”  I nod.  I get it; he’s a musician and does not want my big claws to squeeze too tight and perhaps bust a knuckle or something.  I get it.  The back door opens and his wife, all 5 foot 6 storms up to us, waving her index finger, shaking her head,  “No, it’s not happening!  Good night!”  Being the tallest of the three, she comes up to me… gently but sternly pushes me away.  Why?  I ask her.  I just want one autograph.  And this is what she repeated over and over which shocked me, “It’s too dangerous.  It’s too dangerous.  No!  It’s too dangerous!”  While I am being pushed away, I see the hunched over rock n roll star escape from the open stage door and flee into the waiting truck, his door closes and he is secure.  Who is this?  I saw this once before when I saw President Obama in Philadelphia.  That’s another story.  This is Roger McGuinn, 1965, The Byrds, Turn...turn...turn...and his wife (maybe she was a former security guard and likes the role of enforcer) she gets in the truck and they drive off.  Roger waves.  That was nice.  I waved my album back to him and asked the rock star, just one autograph?  The truck drove off.  Celebrity calls his wife a bitch.  No, I don’t think so.  She was tough.  She loves her husband and wants to protect him.   And I tell them as they walk away, McGuinn is from the John Lennon generation.  And they walk away not knowing what I was trying to convey.  Take a look at what happened to Lennon.  Mark David Chapman, was one Lennon’s fans.  Maybe Roger is not taking any chances?  Even if it was only three of us; I’m sorry to have encountered such a negative reaction from him and his wife.  Most of the artists I meet are grateful for the recognition.  Not for Rock N Roll star, who does not have to sign anything or say a word.  I understand.  Wave to the crowds.  All three of us who stood there driven by vanity.  It was a lesson learned for me as well.  I should have enjoyed the show and went home with my album, and respected the privacy of the man and his wife. 


Dang, I still had some questions I wanted to ask him for this blog.  Oh well…

Thank you for reading this




Saturday, May 5, 2012

Mike Watt lands in NYC for his book release party a Le Poison rouge t


5/04/12 22:40 I just finished Mike Watt’s book On and off bass recently published by Three Rooms Press. I was surprised the book is a photography and memoir. I was more surprised by the scarcity of pages and content. Mike’s web page consists of thousands of pages of his journal capturing his life through the past twenty years. The editors pulled snippets which read like haiku’s interwoven with Watt’s beautiful pictures of wildlife. In some of the interviews I read and I tried to hear his interview at his book release party this past Wednesday at Le Poison rouge on Bleeker I learned Watt wakes up early a few days out of the week and takes his kayak and watertight camera out into the waters of San Pedro bay. There are a lot of pelicans in the book, and Watt said they are the only birds that do not sing. His writing expresses vulnerability through poems. The journal entries depict his love of music and the band as well as thoughts of his departed father and memories of d Boon. Coltrane is mentioned which is no surprise when it comes to Watt who finished each show by shouting, Coltrane! Coltrame! One entry is brief expresses his love for Coltrane, visiting Colrane’s grave on Watt’s 40th birthday and imaging Coltrane laying in the ground, looking up…Watt laid on the plot…The show contrasted the sanctuary of the nature. Hellride East consists of J Mascis, and Murph from Dinosaur Jr. and played mostly Stooges covers. Special guests included Thurston Moore/Sonic Youth and there were others but I wish I knew who they were. Please send me an email and I will add to the blog. Mike signed my book and I reminded him of our emails, I’d to get him to see Coltrane’s house, so he slapped his head…Dix Hills…right…Dix Hills…I hope we can work something out. After the show my friend and I walked down the block and I saw two punk kids, with bent knees, sitting in a darkened store front reading Watt’s book…the torch has been passed.

Saturday, August 27, 2011

Henry Rollins interview - On John Coltrane

Mike, hi. Here's the answers to your questions


When was the first time you heard Coltrane, who introduced you to his music?

===== My mother had Coltrane records and Miles records with Coltrane on them.



How did Coltrane influence your music and writing?

===== He didn't really. I am not a musician. I have written a lot of songs but it's just to get the words out. I always admired Coltrane for his truth and his purity. He was really going for something. He is inspiring because you can tell every moment he plays is sincere. I have never heard anything like it.


Since Coltrane wrote about his spiritual journey, can you relate to it?

======= No. I have no spiritual feelings at all.


I know you have your favorite albums that you continue to go back to. How often do you listen to Coltrane and what album do you continue to return to?

======== I listen to Coltrane often. I like the later material the best. '64 to the end. I do like the Atlantic period as well though. What I like most is the tone that he developed later on. Very distinctive.


You recorded with Rashied Ali, how did you arrange this?

========= I contacted him via Charles Gayle.


If you had to make a choice Eric Dolphy or Coltrane? Why?

====== I think Coltrane was more impressive compositionally and melodically. He was also more prolific. I think he influenced Coltrane more than the other way around. Both of them were obviously brilliant.


As a record collector, what is the rarest Coltrane album you own?

======= I don't have many rare Jazz records.


Are there any modern jazz artists you follow?

========== Not really.

thanks

Henry

Tuesday, March 22, 2011

Rise Above to save Coltrane's house




http://thecoltranehome.org/letters/national-trust-for-historic-preservation

Monday 3 21 11
The John Coltrane house is in bad shape. The chimney and cap are in disrepair and the roof shingles in the back are bucking, which I’m sure has led to some leaks in the house. The back brick wall is cracked and the rear needs major renovation. As I stood outside the house this past Saturday I felt ashamed that the house was in such poor shape.
This was his last home and a landmark for the place where he composed A Love Supreme, one of the masterpieces in jazz. Research states Mr. Coltrane composed it upstairs in his study for days and only interrupted for meals. When it was finished he came downstairs and told his wife, Alice, “It is done.”
While writing a paper on Coltrane for college, I learned he lived in Dix Hills and is buried in Pine lawn cemetery. He passed at Huntington Hospital, the same hospital where his sons were born. Searching the internet there were a few articles I came across, and eventually came in contact with Steve Fulgoni who led a campaign to save the house from demolition. I had the pleasure to meet Steve at the Coltrane house and was given a tour inside. At the time, there were new doors installed and an alarm system, windows were fixed, and inside the living room pictures of how the house appeared when Alice and her children lived there in the early seventies.
The house was purchased by the town back in 2004. This is where my piece ends, since I have little details about the not-for-profit which raised funds to rebuild the house. I sent a letter asking Steve what progress has been made. Since Saturday there has been no response. At one time, there was a web site which depicted the work to save the house, articles in Newsday, News12, and letters from jazz musicians. Today, there is a blog, but little details since 2008.
Through meeting Steve, I was invited to attend the Alice Coltrane memorial at St. John Divine cathedral in New York. I’ll never forget seeing Ravi Coltrane, John’s second oldest son and an incredible saxophone player, sitting at the end of our aisle and crying when a short documentary was played of his mother. And at the end of the memorial standing near the alter and hugging or shaking hands to everyone who passed their condolences. I spoke to Michelle Coltrane, who was the oldest and remembered her step father smoking a pipe and playing with the kids. She had fond memories of the house. I also had the chance to meet and interview Rachied Ali, one of John’s drummers who passed last year.
So join me as I investigate what happened to saving the Coltrane house. Today, my goal is calling the town to learn who is in charge of the repairs. Maybe I’ll shoot off an email to Ravi, since I recall he was on the board of the non-for-profit.
Later I called Steve who received my email, money is the issue. The big investors need to see a professional restoration plan, which costs money to generate. We discussed the proposed plans, like concerts, but they cost money to generate. Have they reached out to Bill Cosby? No.
So I’d take up the challenge and push it to fruition. There are many good angels that Coltrane continues to bless.

November Work Outs and Runs

  11 23 25 21:10 I went for a run today.   It was more than 6 miles and I was thinking maybe I should sign up for the Christmas race again...